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A Lampwork Bead Maker's Dalliance
Posted on Tuesday, October 26, 2010 by Jewelry making supplies New York City
OK, now that I've got your attention, what I meant was pertaining to my playtime with metal. Since I'm a glass bead maker who also makes jewelry, from time to time I have to drag myself away from the torch to make components to go in my finished pieces. I am by no means a 100% DIY gal, but I much prefer to make my own parts when I have the time and the skill. In the past this has been limited somewhat to PMC and wire work, including fusing fine silver (which I dearly love), but lately I've been drawn to other metals like brass and copper. I love the look of a nice, aged patina, and (shhh! don't tell) I've been coveting Missficklemedia's patina tutorial for a while now.
Part of it might be because of the company I keep - Cyndie Smith does wonderful, organic work with all kinds of great metals, and Mary Jane's creativity and affinity for many materials inspires me. The other cool thing is that metals like brass and copper are a lot less expensive than silver is these days (but if you're reading this blog you probably already knew that).
So, I've spent some time on a new playground, and thought I'd share my results. On the left is how the brass blanks look when you get them. Kind of boring and useless, huh? The rest are finished components - some embellished with fine silver bead caps and rings, and some just textured and dapped. I got the great color by heating the elements to red hot with my butane torch, then dropping them into liver of sulphur (I mix mine from dried chunks). Once I wiped off the patina on the raised parts with my polishing pads the texture was more pronounced and the finish was great. These have been tumbled as well. Some have been brushed with a brass wire brush as well.
Bead caps are a girl's best friend, and these made using brass discs, a metal punch, a texturing hammer, a dapping block, and liver of sulphur are just what I need. They'll look great when paired with a contrasting metal (e.g. silver) smaller cap and then cored for a finished look.
So there you have it. A quick summary of my day at the playground. Next time maybe I'll go down the slide too!
Part of it might be because of the company I keep - Cyndie Smith does wonderful, organic work with all kinds of great metals, and Mary Jane's creativity and affinity for many materials inspires me. The other cool thing is that metals like brass and copper are a lot less expensive than silver is these days (but if you're reading this blog you probably already knew that).
So, I've spent some time on a new playground, and thought I'd share my results. On the left is how the brass blanks look when you get them. Kind of boring and useless, huh? The rest are finished components - some embellished with fine silver bead caps and rings, and some just textured and dapped. I got the great color by heating the elements to red hot with my butane torch, then dropping them into liver of sulphur (I mix mine from dried chunks). Once I wiped off the patina on the raised parts with my polishing pads the texture was more pronounced and the finish was great. These have been tumbled as well. Some have been brushed with a brass wire brush as well.
Bead caps are a girl's best friend, and these made using brass discs, a metal punch, a texturing hammer, a dapping block, and liver of sulphur are just what I need. They'll look great when paired with a contrasting metal (e.g. silver) smaller cap and then cored for a finished look.
UFO component made by soldering two dapped and punched discs together.
A couple of large jump rings through the two discs and you're off on another jewelry adventure.
A couple of large jump rings through the two discs and you're off on another jewelry adventure.
So there you have it. A quick summary of my day at the playground. Next time maybe I'll go down the slide too!
Category Article components, metal, metalsmithing, patina, patty lakinsmith, pattylakinsmith, playswithfiredesigns, texture
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